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Testimonials

"I am in love with your product"

I have been using SCS since date of purchase and it is fantastic. I am still finding things I can learn with it - but it is fluid, easy to use.

Matthew Caffoe, Artistic Director/Actor, Mashed Theatre, Queensland, Australia
www.mashedtheatre.com


"Everything works really great!"

Last weekend was the premiere of our current production (and the first time with SCS) and everything works really great! The SCS-Project includes Time-Based-, Playlist-, Audio-, Video- and Lighting Cues and there were no problems.

Simon Paulekuhn, STATT-Theater Mengeringhausen, Germany
statt-theater.net


"Never been so easy"

Just finished the run of Legally Blonde at a local theatre and can report the faultless integration of SCS and the X32. Programming and Controlling the Mic Mutes has never been so easy (16 radio mics, 23 mics in the orchestra, 5 float mics and 1 mic in the green room for chorus backing).

248 mic cues ran without a hitch even running though a wireless router (used this so that I could adjust the X32 from the stage during sound checks etc.).

Simon Wicks, UK
allandsundry.org


'Thank you so much!!!!'


 

If you ever need someone to tell folks how great SCS is for singers, let them get in touch with me. I have gotten a couple of other folks that do the same thing we do to use SCS and we all love it. Since we only use it to sing concerts with backing tracks we only use a small percentage of the power in the system but we love it!!

Tom Kowalski, Singer and Performer, USA
twofortheshowduet.com


'Well done!!'


 

Every time I work in a new show and design the SCS production, I feel more grateful in your work. Whenever a director proposes something different, there is always a way to do so within SCS. With each new challenge I discover useful features. Sometimes a very little thing that makes my life in the control booth easier.

Thanks.

Lluís Vilarrasa, Barcelona, Spain
www.lluisoshorta.cat


'The absolute best'


 

SCS is great software that anyone can use whether in the West End, touring or local. It’s robust and easy to set up a show and run. Apart from this great software the stand out point for me is the software support and response when you need some help is absolutely the best I have ever encountered … by a country mile!

Bill Mustoe, NAP Music Ltd. UK
www.napmusic.co.uk


'SCS is the go-to solution for all my shows.'
 

Whether doing large productions like Grease, Sound of Music, Oliver and many more for the Cork Opera House or simpler school shows, SCS is bullet proof for everything from simple playback to midi based show control. (The midi implementation is excellent.)

Lawrence White, Freelance Sound Designer
www.lwhiteaudio.wix.com/lwaudio


'What a pleasure'


 

What a pleasure to have personal contact from a software developer/supplier. It makes a very welcome change in this world of automated online shopfronts and "noreply" email addresses.

As I'm typing I'd like to say a big thank you for the SCS product, it really is a fantastic, easy to use, bullet proof, reasonably priced piece of software. I come from the world of TV and Film sound recording and have found myself branching out into theatre sound design by accident. SCS being so intuitive was a great help to me as someone who has had to learn from scratch on their own.

Simon Clark, Simon Clark Audio


'With SCS, give me a sound track – and I’ll give you reality.'


 

We used SCS 11 for the Global Premiere of David Stevens (author – The Sum of Us) new work The Beast and The Beauty at The Old Mill Theatre here in Perth. It ran the sound and A/V (over 150 audio and 45 A/V cues) perfectly. Not that there was ever going to be any doubt – but I thought you might like to know! It is certainly my weapon of choice for soundscape design.

Graeme Johnson, Taurean Productions, Perth, Australia


 

'What a wonderful software!'


 

We have completed Asami Maki Ballet Tokyo Roland Petit's Duke Ellington Ballet in New National Theater in Tokyo using SCS to run all Duke Ellington's Music tracks for 5.1 surround. We set up 2PC SCS (No.2 PC was Back Up). Main PC used to playback music tracks and to sent MIDI Cue to "Program Change" YAMAHA O1V96i also to sent No.2 PC "Go". Because we remixed all 5.1 surround tracks one by one at theater and recorded "Layer" in YAMAHA.

No.2 PC was work sync complete.

No hang up and no trouble!

Masashi Doi, Freelance Sound Designer, Japan


 

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