Live Inputs trough SCS
Posted: Sat Sep 09, 2006 4:24 pm
Hi Mike,
Another suggestion for your long-term planning (and forgive me if I have raised this before).
It would be great if there was a cue type that looked like an Audio cue, but simply routed the signal from one of the inputs on the attached sound card / interface to SCS outputs using the same fader / addressing system as usual (and more specifically, being able to be acted on by subsequent Fade cues - enabling such an input to be panned around a set of speakers). The input would stay active till a Stop cue targetting that "Live" cue was fired.
We have several potential shows we could transfer to SCS from other systems that mainly distribute recorded audio (such as sound effects), but they have one or two live inputs (a voice or an instrument) that need to get panned around the room as well.
Obviously this raises the bane of all DAW programmers - latency (processing delay) between input and output, and yes that is a consideration, but whatever the latency, it would be useful, given that such inputs are often an Actor offstage interacting with those onstage, who can not be heard live.
Cheers,
nick
Another suggestion for your long-term planning (and forgive me if I have raised this before).
It would be great if there was a cue type that looked like an Audio cue, but simply routed the signal from one of the inputs on the attached sound card / interface to SCS outputs using the same fader / addressing system as usual (and more specifically, being able to be acted on by subsequent Fade cues - enabling such an input to be panned around a set of speakers). The input would stay active till a Stop cue targetting that "Live" cue was fired.
We have several potential shows we could transfer to SCS from other systems that mainly distribute recorded audio (such as sound effects), but they have one or two live inputs (a voice or an instrument) that need to get panned around the room as well.
Obviously this raises the bane of all DAW programmers - latency (processing delay) between input and output, and yes that is a consideration, but whatever the latency, it would be useful, given that such inputs are often an Actor offstage interacting with those onstage, who can not be heard live.
Cheers,
nick